Gian Carlo Vannetti transforms stages with artistic lighting designs using Obsidian's ONYX platform
Gian Carlo Vannetti is an experienced lighting designer based in Novellara, Italy, who specializes in creating theatrical lighting designs using Obsidian Control Systems' ONYX platform. With nearly 30 years in the entertainment technology industry, he has had the opportunity to work on a wide range of projects, from big and small Italian artists to festivals, corporate events and more.
Gian Carlo's passion for lighting design began early in his career when he found himself attracted to the lighting console, despite starting out with more basic tasks such as prepping cables and loading trucks. “I really love all the features in lighting control software and all the lovely things you can create with cues and timing,” he states. “I try to follow the music and re‐create somehow that feeling so people can also participate visually. That’s what makes me shiver and feel good! Trying to create something that makes sense in that moment!” Over time, he gained experience operating a variety of consoles, including Coemar, Avolites, Martin Case, Whole Hog, grandMA, Jands Vista, and ChamSys. This eventually led him to Obsidian Control Systems’ ONYX platform and he now owns several ONYX‐driven products including an NX Wing™, NX Touch™, M‐Play, NX DMX™, and Netron EP4™. Gian Carlo is using ONYX on three productions, "Indaco," "Boomerang," and "Canova Svelato," with a fourth, "H2 Omix," coming in May. They all feature transparent screens that reflect video and imagery but also create a mirror eﬀect when dancers are near, complementing the choreography with stunning visuals. Two on‐stage projectors pass eﬀects through transparent screens toward the audience with one at FOH for mapping of the entire theater. “My way of creating these types of shows is through ONYX with a cuelist that has a lot happening, delays and timings on fixture parameters, and if I need some unique FX I have DyLOS. It has really given me the chance to be more creative.”