Theater aan de Parade Reenergises with Robe

Robe moving lights continue to be a popular choice for theatres in the Netherlands, with the new Theater aan de Parade in Den Bosch providing another great reference site, with over 200 Robe products in the house lighting rigs of its two principal performance spaces. The new venue is a radiant modern entertainment and meeting hub, buzzing with energy and creativity in the heart of this picturesque city.

The Robe moving lights are divided between Theater aan de Parade’s two multi‐purpose halls, the 920‐seater Casino Hall and the Plein Hall, which accommodates 400 people.

The Robe product count breaks down to 23 x T2 Profiles, 83 x T1 Profiles, 11 x T1 PC, 80 x LEDBeam 350s, 3 x TX1s, 12 x CUETE Spots, 14 x Tetra2s, which are used as cyc ligh􀆟ng, and 4 x RoboSpot BaseStations with MotionCameras.

All of this was supplied via Robe’s Benelux distributor, Controllux, together with a number of other lights that completed the specification, plus control and networking infrastructure. Controllux’s project and sales lead Kuno van Velzen started work on this installation in 2022.

The T1 and T2 Profiles were selected as the “best multispectral profile moving heads on the market,” commented Alphons. Having a multispectral LED fixture at the core of the house lighting systems – as opposed to a white LED source – was a cornerstone of the lighting tender.

It is a frequent consideration for theatres and performance venues where perfect colour rendition and skin tones are vital. Robe’s additive colour mixing techniques ensure that these fixtures deliver the richest of saturated colours and the most delicate pastel shades, all with theatrical finesse and quality. Highly flexible CCT control provides another layer of premium quality whites that are key in lighting theatre, drama and dance pieces. The T1 and T2 Profiles are located on the lighting bridges and over‐stage bars in both halls. Seven of the T1 PCs are rigged on the Casino Hall portal bars and four on LX2 in the Plein Hall, where they are providing good wash capabilities, with the TX1s also used overhead in this space. The LEDBeam 350s are multi‐use fixtures and, among other things, replace six‐bar moving PAR light effects in both halls. The Tetra2s are proving to be handy for cyc and effects lighting in the Plein Hall, especially for bands, concerts and music shows, together with the CUETE Spots, which are in this same location.

The RoboSpot systems are usually used with the T1 Profiles in either hall. They bring all the flexibility of a quicker setup, being able to position the operators backstage or offstage and enable the LD to choose which lights are used for spotting.

Alphons is very happy with the scenario and confident that the venue can offer its clients great value with this combination of technology. He notes that some of the incoming companies are making full use of the lighting setup now on offer, while for some older touring shows still on the road with performances based on static and dimmed light sources, the adaptation may take longer, but the process is definitely underway.

Alphons, who took up the technical management position for the new theatre to open its doors at the end of 2024, is delighted with the results so far. Apart from all the obvious advantages, the all‐LED stage lighting is saving considerably on the previous operational power requirements. Robe is a brand Alphons has been more familiar with since visiting the 2019 Prague Quadrennial, where Robe lit one of the main centrepieces, “Blue Hour” by Romain Tardy.

Key members of the tech crew have also visited the Robe factory in Valašské Meziříčí, and Alphons highlights the importance of a strong working relationship both with the brand and the local distributor. Controllux also coordinated the installation of the lighting systems and their related control network.

www.robe.cz