This year’s Australia Day Live was a massive event for Big Picture, who supplied a turnkey technical solution of outside broadcast facilities, LED screens, event communications and network backbone which included a significant amount of Riedel equipment with 68 Riedel Artist Panels across OB trucks, production and event control locations,
Canberra rental and production specialist Elite Event Technology was commissioned to provide audio, lighting and video production for the Spilt Milk Festival, while MPH Australia supplied lighting for the Angrove Stage, with support from EET. Three main stages – Angrove, Basquiat and Derbyshire – all featured Robe moving lights on
Fredon Technology recently partnered with Audio Systems Logic to outfit Lendlease’s new Barangaroo office building with an integrated HARMAN networked AV solution to create an innovative, activity-based work space environment. The Audio Systems Logic team determined that an IPbased solution would give Lendlease the flexibility needed to achieve their vision.
ULA Group is proud to be a part of Britt Salt’s brilliant new artwork – Traverse, which has been revealed at the Melbourne International Airport earlier this month. Traverse is a powder coated aluminium original structure, attached seamlessly to the wall at the Terminal 2 of Melbourne Tullamarine International Airport.
The biggest Transmission dance event to date – in terms of audience numbers AND Robe moving lights – was staged at Sydney Showground in Australia with over 200 Robe moving lights 78 x Pointes, 90 x MegaPointes, 10 x Spiiders, 20 x LEDBeam150s and 19 x BMFL Blades – on
In Australia, Gravity Media’s Gearhouse Broadcast Pty Limited (Gearhouse) and Triple Eight Race Engineering Australia Pty Ltd (Triple Eight) have entered into a four-year service partnership for communications systems, with Clear-Com®’s FreeSpeak II digital wireless intercom system providing communications between car controllers and their support staff. “It was very clear
Adding impact to the powerful interpersonal currents running through a recent production of Les Misérables in Melbourne was a Tom Willis designed lightshow that featured CHAUVET Professional Maverick MK1 Spot fixtures, supplied by Showtools International. Willis tended to avoid or minimize saturated color when lighting Les Misérables, except during the
Australian broadcaster SBS announced that for the first time, they would hold a national final to select the Australian entry for the Eurovision Song Contest 2019, to be staged in Tel Aviv, Israel. The Eurovision – Australia Decides national final recently took place at the Gold Coast Convention and Exhibition
Stone Sour’s performance revolves around a simple concept: rock hard, rock loud and be ferocious. This nonstop intensity led Scott Warner to feature the high output Nexus Aw 7×7 in the first light show he designed for Stone Sour in 2017. This December, he went back to the same fiery